Accepted for publication in the peer-reviewed journal Genders is “’There is No Magic Here’: Saidiya Hartman, Percival Everett’s Zulus, and Slavery’s Archive,” an essay coauthored by Distinguished Teaching Professor Beth A. McCoy and Geneseo alumni Gregory J. Palermo (English/Literature, Physics), Jeremy A. Jackson (English/Literature), Danielle M. Ward (English, Geological Sciences), Timothy Moriarty (English/Creative Writing), Christina Broomfield (English/Literature, Art History), Melissa Ann Smith (Childhood/Special Education), Matt Huben (English/Literature), and Justin M. Turner (English/Literature).
The essay emerged from the collaborative final project in McCoy’s Fall 2013 ENGL 394 Black Apocalyptic Fiction seminar. You can view the full essay here.
The 2016 Walter Harding Lecture will be delivered by Elizabeth Witherell on November 8, 2016 at 7:30 p.m. in Doty Recital Hall on the campus of SUNY Geneseo.
The lecture is entitled “Thoreau’s Manuscripts and the Prepared Eye.”
Witherell is editor-in-chief of The Writings of Henry D. Thoreau, also known as the Thoreau Edition. Published by Princeton University Press, the edition currently comprises 17 volumes of a projected 28. Witherell is the project’s third editor-in-chief; its first, from 1966 to 1972, was Walter Harding, who taught at SUNY Geneseo from 1956 to 1982 and for whom the Harding Lecture is named. In 2003, the Thoreau Edition was named a “We the People” project by the National Endowment for the Humanities, which has funded the project continuously since its inception.
In 2015, Witherell made news for her transcription of a nine-page manuscript in the collection of Harvard University’s Houghton Library representing Thoreau’s notes on the 1850 shipwreck off Fire Island that killed the transcendentalist and feminist writer Margaret Fuller. (Boston Globe, UC Santa Barbara Currents.)
As always, the Harding Lecture is free and open to the public.
Come to the Fringe Festival in Rochester, New York next weekend and see what the English department’s creative writers, filmmakers, and multimedia artists have prepared for your enjoyment! All events are free.
See page 35 of the print Festival Guide for a full listing, including free performances from 11:30 am to midnight on Saturday, September 24. Events include:
- Guerrilla Art: (a student art collective) have prepared a site-specific installation. At the Spiegelgarden, corner of Main and Gibbs Sts, Friday 9/23, 5-11 pm, and Saturday 9/24, 12 noon to 11 pm. Faculty sponsor: Lytton Smith.
- Heirlooms: creative writers reading their work: Sarah Steil, creative non-fiction Oliver Diaz, fiction Evan Goldstein, poetry 3:45 at the Lyric Theatre, 440 Main St at the corner with Prince. Faculty sponsor: Kristen Gentry.
- Filmmakers: Saturday 9/17, 7:15 pm at Spiegelgarden, corner of Main and Gibbs Interaction by Wei Ying Ch’ng Run by Michael MacDonald Saturday 9/24, 7:15 pm at Spiegelgarden, corner of Main and Gibbs She Used to Be Mine by Anna Tailleur Overture by Jason Guisao Arrive early and turn in an ID for headphones. Faculty sponsor: Melanie Blood.
Concessions are available at both the Spiegelgarden and Lyric Theatre. Free parking at Lyric, garage and pay lots near Spiegelgarden.
SUNY Geneseo’s English department and Milne Library have launched the first ever National Book Review Month: a month dedicated to encouraging readers and writers to review books.
Readers are encouraged to post a 100-1000 word review at the NaRMo website, which also offers tips for reviewing and other resources. Or post a review to an online store or send one to a literary magazine.
National Book Review Month is committed to sharing a wealth of exciting contemporary literature. Dr. Lytton Smith, Assistant Professor of Poetry at SUNY Geneseo and a former publicist for presses including Four Way Books and Persea Books, said, “I despair every time I hear about the death of poetry or fiction or books in general; there’s more amazing contemporary writing out there than anyone would have time to read, and NaRMo is our way of beginning to help people find the books that are looking for them.”
Use #narmo and @getreviewing in whichever ways seem right to you!
Prof. Rob Doggett will lecture on “Editing Yeats’s Early Poetry, Drama, and Fairy Tales” Friday, November 20 at 10:00 a.m. in the Galisano Midlevel Gateway Building of St. John Fisher College in Rochester, NY.
The lecture is part of St. John Fisher’s two-day conference, W.B. Yeats at 150: A Celebration, marking the 150th anniversary of the poet’s birth.
Prof. Doggett is the author of Deep-Rooted Things: Empire and Nation in the Poetry and Drama of William Butler Yeats (University of Notre Dame Press, 2006) and editor of When You Are Old: Early Poems, Plays and Fairy Tales of William Butler Yeats (Penguin Classics, 2015).
This year’s Walter Harding Lecture will be delivered by Pier Gabrielle Foreman, Ned B. Allen Professor of English and Professor of Black American Studies, University of Delaware.
Professor Foreman’s lecture, titled “To Speculate Darkly: Slavery, Black Visual Culture, and the Promises and Problems of Print,” will take place at 7:30 p.m. on November 16 in Doty Recital Hall on the SUNY Geneseo campus.
As a scholar of African American studies and nineteenth-century literary history and culture, Prof. Foreman has examined the relationship between literary and activist practices. Her book Activist Sentiments: Reading Black Women In The Nineteenth Century (Univ. of Illinois Press, 2009), examines this relationship in the work of authors Harriet Jacobs, Harriet Wilson, Frances E.W. Harper, Victoria Earle Matthews, and Amelia Johnson.
Professor Foreman is co-editor, with Reginald Pitts, of the Penguin Classics edition of Harriet Wilson’s 1859 autobiographical novel Our Nig, Or, Sketches From The Life Of A Free Black, In A Two-Story White House, North. Showing That Slavery’s Shadows Fall Even There.
Active in digital as well as print scholarship, and committed to collaborative work that advances public understanding and engages the community, Professor Foreman serves as faculty director of the Colored Conventions Project, a digital humanities project that documents the 19th-century African-American conventions movement through crowdsourced transcriptions of convention minutes.
The Harding Lecture is free and open to the public. A reception will follow in the Doty Hall lobby.
Download the poster (11×17).
Poet, editor, and musician John Gallaher will read from his work on Monday, September 21 at 8 p.m. in Welles 111, the Harding Room, on the SUNY Geneseo campus.
According to Wayne Coyne of the Flaming Lips (Yes! Gallaher gets praise from rock stars!) “Gallaher is not a writer or a poet, he is a psychic using words to trick us.” He’s written collaborative books and produced film poems.
A previous winner of the prestigious Boston Review Poetry Contest (judged by Rae Armantrout) and the author of five books of poetry, Gallaher is a writer no less a person than John Ashbery has called “[a] poet I once influenced who ha[s] moved beyond me.” Gallaher builds on Ashbery’s chatty multidirectionality and associative logic by adding his own philosophical edge, a pondering that’s at once homespun and existential.