Come to the Fringe Festival in Rochester, New York next weekend and see what the English department’s creative writers, filmmakers, and multimedia artists have prepared for your enjoyment! All events are free.
See page 35 of the print Festival Guide for a full listing, including free performances from 11:30 am to midnight on Saturday, September 24. Events include:
- Guerrilla Art: (a student art collective) have prepared a site-specific installation. At the Spiegelgarden, corner of Main and Gibbs Sts, Friday 9/23, 5-11 pm, and Saturday 9/24, 12 noon to 11 pm. Faculty sponsor: Lytton Smith.
- Heirlooms: creative writers reading their work: Sarah Steil, creative non-fiction Oliver Diaz, fiction Evan Goldstein, poetry 3:45 at the Lyric Theatre, 440 Main St at the corner with Prince. Faculty sponsor: Kristen Gentry.
- Filmmakers: Saturday 9/17, 7:15 pm at Spiegelgarden, corner of Main and Gibbs Interaction by Wei Ying Ch’ng Run by Michael MacDonald Saturday 9/24, 7:15 pm at Spiegelgarden, corner of Main and Gibbs She Used to Be Mine by Anna Tailleur Overture by Jason Guisao Arrive early and turn in an ID for headphones. Faculty sponsor: Melanie Blood.
Concessions are available at both the Spiegelgarden and Lyric Theatre. Free parking at Lyric, garage and pay lots near Spiegelgarden.
Poet, editor, and musician John Gallaher will read from his work on Monday, September 21 at 8 p.m. in Welles 111, the Harding Room, on the SUNY Geneseo campus.
According to Wayne Coyne of the Flaming Lips (Yes! Gallaher gets praise from rock stars!) “Gallaher is not a writer or a poet, he is a psychic using words to trick us.” He’s written collaborative books and produced film poems.
A previous winner of the prestigious Boston Review Poetry Contest (judged by Rae Armantrout) and the author of five books of poetry, Gallaher is a writer no less a person than John Ashbery has called “[a] poet I once influenced who ha[s] moved beyond me.” Gallaher builds on Ashbery’s chatty multidirectionality and associative logic by adding his own philosophical edge, a pondering that’s at once homespun and existential.
Afro-Canadian poet, writer, and activist M. NourbeSe Philip will perform from her recent book, Zong!, a radical collection of poetry that tries to come to terms with the 1781 tragedy of the slave-ship Zong, from which ship over 150 African men, women, and children were thrown overboard as part of an insurance claim. No one was ever tried for their murder, and all that survives recording the incident is a two-page legal decision, Gregson v. Gilbert, named for and concerned with the ship’s owners and insurers, not the Africans onboard. It has been described by Juliana Spahr as “exceptional and uniquely moving.”
Philip’s performance will be accompanied by an original musical composition by SUNY Geneseo’s Glenn McClure.
The event, which will be held at Doty Hall on the SUNY Geneseo campus, is free and open to the public; books will be available for purchase.
M. NourbeSe Philip is the acclaimed author of four books of poetry, two collections of essays, a play, a novel, several short stories, and other writings; her work features in the Norton Anthology of English Literature. The recipient of many illustrious international awards, including the Casa de las Americas prize, a Guggenheim Fellowship, a McDowell Fellowship, a Chalmers Fellowship, and a Rockefeller Foundation residency, Philip has read and performed her work internationally, including as writer-in-residence at the University of the West Indies and as part of The Scream Literary Festival. She lives and writes in Toronto, where she has previously been the writer-in-residence at the Toronto Women’s Bookstore.
Tegolin Knowland and Sean Coyne of the Curlew Theatre, Tullycross, Ireland will perform Eamon Grennan’s adaptation of John Millinton Synge’s The Aran Islands: A Dramatic Recital for Two Voices on Friday, April 10, 2015 at 7 p.m. in the Geneseo Riviera theater. The event, which is free and open to the pubic, is sponsored by the departments of English and History at SUNY Geneseo.
Between May 1898 and October 1901, John Millington Synge, a Dubliner, spent just under four months (accumulated over four separate visits) on Inishmaan, the middle island of the three Aran Islands lying off the West Coast of Ireland. From the diary and notebooks he kept while there, he composed his travel book, The Aran Islands. Eamon Grennan (well known Irish poet) has taken a number of fairly representative moments from The Aran Islands and turned them into a kind of collage to represent as much as possible what the book is like and something of its flavor. It is partly a romantic lyrical evocation of this wild place, partly a series of anecdotes, partly an almost anthropological study of the people’s lives, their habits, their folk-tales and so on. First performed at the Clifden Arts Festival in Western Ireland, this dramatic recital offers American audiences a rare opportunity to experience the fine work of Ireland’s Curlew Theatre Company.